There's a download link on the right hand side of the page for a copy of my CV, but here's a summary of my industry experience and skills.
| High End Retoucher. | Creative, experienced, resourceful digital imaging professional. |
| Experience. | 2001 - 2007 Career break/Homemaker |
| | 1993 – 2001 Freelance High-End Retoucher, 2D Film Compositor & Digital Consultant AMV-BBDO; set up and developed in-house creative retouching suite for Electronic Solutions. Saatchi’s Facilities Group/First Base; retained to work on high-end fashion, cosmetics and beauty retouching accounts. John Harwood Studio; collaborated with this pioneering photographer and illustrator on the fusion of photorealistic 3D modeling with high resolution retouching and compositing. Regular retouching and compositing work with major Completed Cineon compositing training at Pinewood Studios. 2D film composting at Digital Film / Moving Picture Company, Cinesite and Mill Film. Worked on ‘The Maskof Zorro’, ‘The Borrowers’ and ‘Babe in the City’. Delivered on site retouch & composting staff training for nationwide clients, using Barco Creator/Silicon Graphics workstations. |
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| 1991–1993 Jones Bloom Photographic, High End Retoucher High resolution retouching, compositing and image manipulation. Worked on research & development of pioneering Barco Creator retouch system. Worked on high profile projects such as ’92 Olympics imaging. |
| | 1988 – 1991 Artisan Retouching, Company Partner/ High End Retoucher Established and developed specialist retouching studio. 1984 – 1988 Studio 10 / Parkway, High End Retoucher Completed training and worked on ground breaking Scitex Imager software. |
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